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Aaron Copland's What To Listen For In Music

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... music, as the compositions of George Gershwin and Aaron Copland clearly show. Nowhere is that more apparent than in help me to be a more careful listener. If I listen closely to what people say, maybe I will not be so quick to jump to Within short order George Gershwin, Aaron Copland and John Cage were hot maestros on the scene sharing equality time The first step I took in planning to listen was to consider my own listening habits. I reflected back on some past something to add. I then reverted back to my role as listener and listened to what he was saying. This continued and ...



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Sources list for AARON COPLAND'S WHAT TO LISTEN FOR IN MUSIC:

Baker, Dorothy Z. "Aaron Copland's Twelve Poems of Emily Dickinson: A Reading of Dissonance and Harmony." The Emily Dickinson Journal 12.1 (2003): 1-24.
The Role of Time and Death

Zatorre, R.J., Perry, DW, et al (1998) Functional anatomy of musical processing in listeners with absolute pitch and relative pitch. Proc Natl Agad Sci USA 17: 3172-3177
Absolute Pitch

Mundy, John (1999) `Popular music on screen: From Hollywood musical to music video' Manchester University Press, Manchester. ISBN 0-7190-4029-9
The Music Video

Morgan, R.P. (1991). Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York: W.W. Norton.
Electronic Music

Mackay, Andy. Electronic Music: The Instruments, the Music, the Musicians. Rexdale, ON: Wiley, 1981.
Electronic Music

 

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